Gibson: I think Lana it definitely has a menu, a bit like a a cocktail menu or a wine list, where the prices start low and then just go higher and higher.īrown: Also circumstances … each story will have a certain circumstance and it depends. But then when it becomes between two people, the money goes up. Self-gratification is probably on the lower end.
#TOO HOT TO HANDLE SEASON 2 FULL#
How do you determine the cost of each infraction? Is it one size fits all, or depending on the circumstances?Ĭoward: So obviously there’s a kiss, and then there’s full sex, and then there’s kind of a sliding in between.
And then she’ll hit them with a penalty when they’re least expecting it. Usually what happens is they think that she hasn’t spotted something and they got away with it. And you can just blame Lana for everything.īrown: But that doesn’t mean there wasn’t a conversation between the producers where we’re going, “Is that…?” We’ve got the best sex detectives in the business working on this show.ĭid an infraction ever get slipped past you that you only caught after the fact?Ĭoward: Lana’s never missed anything. But they’ve become open and honest.Ĭoward: They believe Lana knows everything and more - it’s a great excuse. I need to tell them because Lana is watching.” The producer and Lana merge very much to the guys in the villa, which is how it should be. They’re pretty forthcoming.īrown: But I think they’re torn because they’re so in the process as well, that they’re like, “I have to confess. So we don’t always tell you exactly what happens in the final edit, but they usually will say it, so you don’t really have to pull them by the ear to say what happened. But one of them sent an amazing screengrab of her notes from one particularly passionate night and she was like, “This is like the most unique job on TV.”Ĭoward: It’s always a bit interesting when the producers who’ve been watching and listening give feedback to you over breakfast, what happened that night … sometimes it’s not quite what you want to be hearing about while you’re eating in the morning.ĭo you ever go to the cast for clarification to see what actually happened in bed?Ĭoward: They would usually confess either in their confessional interview, because they can’t help themselves, or when Lana is giving them a penalty. Gibson: Our footage loggers are writing down everything that’s going on all the time, which happens on all reality shows. The process is Lana is always all-seeing and all-knowing therefore, the the crew are all-seeing and all-knowing. What is the process for monitoring them at night, in the shower, etc.?īrown: It took all members of the team, really, because the contestants have been watched 24 hours a day, seven days a week.
#TOO HOT TO HANDLE SEASON 2 SERIES#
But for series two, it was pleasure and pain. I think probably in series one, it was different. They spent a whole day deciding who they’re going to try and get off with that night. But if we’ve done our jobs well, which we did, they are so horny, at that point, that they are still devastated. But essentially they thought they were partying on islands, they were going to be on a boat and go from island to island, having parties and having the wildest summer of their life.ĭid anyone complain to the producers about the bait and switch from “Parties in Paradise” to “Too Hot to Handle”?Ĭoward: It’s a funny moment, because now we’re on series two, and obviously the penny drops that they’re on a massive show. It’s amazing, really, to think that people signed up for a show that didn’t really have a format.
How did you explain the original premise of “Parties in Paradise” ?Ĭoward: It was unbelievably broad. With the casting team, and then the producers, and then the execs and then Netflix looking at the tapes, it’s quite a long process that takes several months.īrown: Our contestants probably end up having a closer relationship with our casting producers than they do with most other people they’ve met in their lives. So there are layers that you have to find, which involves quite a lot of interviewing. And for them to be interesting characters, you need to know that there’s a reason why they are the way they are that you can then unpack as the show goes on. At the end of it, hopefully they’ve learned something about themselves. So you have to be quite journalistic, you have to know that they have something interesting that they’re going to learn along the way, because obviously, there’s a journey as part of the show, and they’re in a no-sex boot camp. And then, of course, it’s about finding a good backstory.
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